Alexander Anderson

"You will be cut down like a straw, trembling before my wrath! AAAAAAAAMEN!"

- Alexander Anderson

Alexander Anderson (アレクサンド・アンデルセン) is a Vatican priest and agent of Iscariot. He serves as the foil to Alucard as both an antagonist and type of anti-villain in the series, both in the TV anime and the OVA series.

He is an expert- monster hunter and the arch-rival of Alucard. In the English dub of the anime and OVA, he is portrayed as having a Scottish accent, though canonically his nationality is unknown. He lives in Italy, operating an orphanage outside Vatican City. Anderson's body is genetically modified to be a Regenerator, a superhuman able to fight supernatural creatures

The English actor for Alexander Anderson from the original anime, Steven Brand, returned to voice Anderson. While Nachi Nozawa was replaced with Norio Wakamoto.

Physical
Father Alexander Anderson has short, spiky gold hair (silver in the manga), blue eyes, brown/tanned skin, a defined squared jaw, and light facial hair. He also has a large, wedge-shaped scar on his left cheek. He is shown to be an imposing middle-aged man along as lean with broad shoulders and very tall, being slightly taller than or as tall as Alucard (c. 6'8" tall (2,00m)).

Clothing
He wears round glasses, a large white cassock (which has a blue trim and interior in the OVA), grey pants (black in the OVA), black boots, a black shirt (black with blue trim in the OVA), a clerical collar, white gloves, and a silver cross (which often glows and is gold in the OVA) around his neck. On his gloves, there are inscriptions written across the crosses drawn on the back:


 * The right-hand says "Jesus Christ is in Heaven".
 * The left-hand says "Speak with Dead". This is later changed to "Speak with The Dead"

In the manga, these inscriptions change sometimes, in Anderson's later appearances his gloves read "Iscariot Section XIII", the Organisation to which Anderson belongs. The character Father Barre portrayed by Michael Gothard, an exorcist and wild instigator depicted in Ken Russell's The Devils (1971) (a dramatization of Urbain Grandier), has been cited as a possible inspiration for Father Anderson.

Personality
Alexander Anderson is an ardent Catholic. He carries an obsession for what appears to be his "crusade", and compulsively quotes passages of the Holy Bible as he speaks. He is extremely determined to achieve his end, usually by whatever means necessary. His words and his constant quoting of scripture indicate a clear, almost fanatical obedience towards "the word of God". His behavior in the first volume was depicted as an intense Catholic priest, who went as far as calling Integra "Babylon", as a reference to the Whore of Babylon, and displayed an immense hatred for Protestants (like Integra) as a reference to the long history of hatred between the two.

In the first episode of Hellsing Ultimate, some of Anderson's statements heavily imply a hatred for all non-Catholics. Anderson tells a pair of young boys that they should only engage in violence against "monsters and non-believers," and comments to his superiors that it is fortunate that a large vampire population must be killing many English Protestants. Anderson resents the control of England over Northern Ireland, which he believes is Catholic territory, and states that it is his mission to kill non-believers. Despite this, it is shown that he will become angry when innocent people are killed, despite their beliefs.

In the manga (and by extension, the OVA, which is closer to the manga than the TV series), however, his character is much more complex. In battle, he is merciless and almost unstoppable due to his abilities. He has a habit of hissing during fights and often loses all control of himself much like Alucard. Despite this, he can stop himself and focus on his mission. He shows a greater sense of morality both in his treatment of the orphans under his care and his eventual assistance to Integra and betrayal of Enrico Maxwell (who becomes drunk with power and starts killing innocent humans).

In the Manga he normally appears as a calm and collected priest; he works at an orphanage in the manga and OVA and acts very kindly towards the children under his care. His complexity in the manga is later demonstrated by his respect for Integra's conviction and for Seras' bravery. Specifically, he agrees to escort Integra to Hellsing HQ, because it would be impolite to leave a lady to walk there alone. Anderson tells the members of Iscariot to retreat from battle when Alucard releases his familiars, wanting them to live on and protect the Catholic religion; as he believed there are already enough souls in limbo.

Yumie/ko Takagi
Yumiko was one of Anderson's student. It is obvious that Anderson was proud of her, along with the rest of his students and Yumiko was deeply angered at Walter for stepping on Anderson's corpse that was fading away, which eventually led to her unfortunate death, because she was so blinded by revenge that she rushed at Walter without knowing what he is capable of.

Heinkel Wolfe
Like Yumiko, Heinkel along with Maxwell and Yumie or Yumiko was one of Anderson's student. Eventually after the events of the Battle of London, Heinkel became Anderson's successor and was likely transformed into a Regenerator like him. Heinkel also seemed to develop some kind of rivalry between Alucard's fledgling, Seras Victoria.

Alucard
While the two starts of as enemies, their relationship becomes more and more respectful as time goes on. Both wished for a fight with a good atmosphere, and place that they both walked away during the museum incident when Seras intervenes. He also often loses control when he sees Alucard, disobeying every other from Enrico to get a chance to fight Alucard, something Enrico stated; "He's lost all control now that he's seen you."

In his final moments, Anderson consoled his grieving rival in his own way, telling him that monsters do not cry. Alucard shows great respect for Anderson and goes so far as to compare him to the men who were able to defeat Dracula (Integra's grandfather, Abraham Van Helsing and the other men from Bram Stoker's Dracula), stating that although they were mere humans, they possessed the will to destroy a monster such as Alucard. This changes, however, when Anderson chooses to use the Nail of Helena on himself in order to become a monster that he believes to be on an equal level to Alucard. At this point, Alucard rules that Anderson, having sacrificed all of his humanity in exchange for power, is no longer worthy of destroying him and that Anderson must be killed. Alucard had previously stated that he would be proud to die in battle against Anderson, but clearly, Anderson forfeited that right by turning himself into a monster rather than remaining a human.

He appears to have a form of respect for Alucard, shouting "The black peril comes!" while laughing as Alucard enters the Thames at the end of Volume 7.

Enrico Maxwell
While Enrico before was Alexander's master, much like Alucard and Integra's relationship, Anderson lost all respect for Enrico when he decided to kill everyone in the London Battlefield, including innocent people. Maxwell however before, was a great student and Anderson was really proud of him. In Maxwell's final moments, he begs for Anderson to help him, only for Anderson to only stare at him as he gets impaled by multiple of Wallachian soldiers.

Anderson simply stated that Enrico was a fool. And had previously disobeyed his orders from time to time.

Sir Integra Fairbrook Wingates Hellsing
While Anderson had displayed his hatred towards Integra and all of Protestants like her, he was also willing to guard Integra back to the Hellsing manor despite Maxwell's order and Yumie's along with Heinkel's being hesitant, however, they couldn't do anything as Anderson was adamant about it and expressed his dislike towards killing a woman that's alone, stating that they're paladins, and not rapists.

Overview
As Iscariot's "trump card", he is the single greatest warrior the Vatican can bring to bear, and the only known being who can match Alucard's power (albeit when augmented by Helena's Nail). Alucard noted that he was the only one who he'd let defeat him (in accordance to Alucard's own belief that only a man can slay a monster). Anderson possesses extraordinary strength, speed, senses, balance, coordination, and stamina, far above what is considered normal for a human. It is unknown if these abilities are a result of artificial, biotechnological enhancement or a combination of his natural skill and fighting experience, similar to Walter.

Physically

 * Superhuman Strength: He has fought Alucard, who is unfazed from taking high-caliber bullets to the chest, to a standstill with his bare hands, staggering him and bleeding his nose with a single punch. With his immense strength, he threw his bayonets through a tektite composite panel protecting Maxwell and bisected artificial vampires with one blow.
 * Superhuman Speed and Reactions: His reflexes are sufficient to allow him to react to bullets, although he prefers to take them head-on thanks to his regeneration. He has caught Alucard off guard with his speed during their first fight and blitzed Millennium’s artificial vampires with his bayonets. During the Battle of London, he clashed with Alucard equally and sliced through his army of ghouls at a great speed.
 * Superhuman Durability: Enhanced by his regeneration, Anderson is very durable. He effortlessly shrugged off shots from a dozen automatic rifles (none of which pierced through his flesh), while Alucard has often been ripped apart by such weaponry, as well as from Alucard’s Casull - even a point-blank bullet was lodged in his skull. He could take several blows from Alucard who can easily tear apart human soldiers and vampires with single hits.
 * Superhuman Endurance: Anderson’s incredible endurance allowed him to keep on plowing through Alucard’s massive army of ghouls despite having his arm nearly shot off by the Jackal. With seemingly little effort, he could survive being shot by Rip's musket which was strong enough to decimate fighter jets, followed by Alhambra's anti-regeneration cards which could cut through flesh and steel easily. This is all a testament to Anderson’s fighting spirit which made Alucard deem him as the worthy rival who can kill him.

Abilities
Regeneration: Anderson has a strong regenerative factor which he typically relies on in battle, and it easily heals damage from automatic gunfire and high-caliber rounds. Most notably, he was shot at point-blank in the head by Alucard’s Casull (which fires massive explosive bullets), and regenerated  a few moments later. Anderson claims that his ability is "the divine gift of God," but later states that it is due to "man's technology." Integra calls it biotechnological regeneration that surpasses any known nanotechnology. However, Anderson's healing factor still has its limits. Using the Jackal, which was specifically designed for use against strong regenerators like Anderson, Alucard is able to shoot out a huge chunk of Anderson's arm which doesn’t regenerate.


 * Bayonet wielding.pngBayonet Mastery: Alexander Anderson uses scores of blessed bayonets presumably made of silver. The blessed nature of the bayonets can sting vampires and negate their regeneration. He skillfully wields the bayonets with great dexterity in close-combat like swords and can also throw them with extreme accuracy (especially considering that he often throws the bayonets in large numbers, usually holding them between his fingers). The type of he uses most appear to be Austrian sword bayonets, with custom hand grips for an easier hold. The bayonets could originally be destroyed by simple handguns, but later could withstand shots from the Casull, indicating that Anderson had their durability greatly increased for later use. During the Battle of London, Anderson prepared a chain holding dozens of bayonets which can explode and destroy swarms of Alucard’s familiars. He calls this the “Exploding Chain”. Anderson can throw his bayonets with great intensity. He could crack hardened tektite glass and has skewered vampires from Millennium’s foot soldiers to Alucard himself. He could throw the bayonets so fast that an entire squad of Millennium’s artificial vampires could not react to them at all. In the Hellsing Ultimate OVA, the bayonets caused sonic booms that shatter windows. He can throw bayonets with an impossible level of accuracy. In the Hellsing Ultimate OVA, in his first encounter with Alucard and Seras, he accurately stabbed and incapacitated Seras with multiple well-placed bayonets, and set up a spiritual barrier across multiple floors before he had even made it down the stairs. Granted, this could have been a trap he had previously set up, but it is highly unlikely as it is implied he prefers to face his prey. Anderson seems to have a limitless supply of bayonets that he can pull from, suggesting that he benefits from Hammerspace. It is unknown if the bayonets are concealed with some sort of holy power or can be generated by nano-technology in his clothing or body. Hirano claims something among the lines of Anderson being '4th-dimensional”.
 * Scripture Manipulation: Anderson can summon a horde of scripture pages and use them for a variety of purposes:
 * Holy Barriers: Anderson can affix scriptures pages onto the walls of a building to erect a barrier to ward off vampires. Specifically, Seras was blocked from escaping as if there was a physical wall. In the Hellsing Ultimate OVA, Anderson used the scriptures to erect a divine barrier around himself when clashing with Alucard, which set all of the pages on fire.
 * Transportation: Anderson can use Bible pages to seemingly teleport. He used this to leave his first fight with Alucard after realizing he did not have the equipment to kill him, and again when trying to ambush Alucard in their final fight. He also used this to appear before Integra when she was attacked by Millennium’s vampires.

Nail of Helena
The Nail of Helena was Anderson’s trump card in his fight against Alucard, and he called it a weapon capable of genocide. As one of the nails that pierced the body of Jesus Christ himself, it is the epitome of holy weaponry and deemed to be sufficient to kill a vampire as powerful as Alucard. By imbuing himself with the Nail’s power, Anderson gained peculiar thorn-tendril based powers, becoming a monster like Alucard. Alexander Anderson receives "Helena's Nail" from Section III Matthew, the Vatican's relic retrieval division. Discovered by Helena, Constantine's mother, it is said to be one of the nails of the True Cross that crucified Jesus Christ. Anderson stabs himself in the heart with it and he became, in the words of Alucard, 'one of God's monsters.' The use of the Nail prompted Alucard to officially label Anderson a monster rather than a human, and therefore must be destroyed.
 * Enhanced Strength and Speed: In particular, Anderson’s speed increased considerably. He was able to easily slice off Alucard’s arm and head before the latter could pull the trigger on his gun right after Alucard charged at him in anger. Later on, Anderson jumped above Alucard and impaled his head before the latter could react again.
 * Enhanced Regeneration and Endurance: Anderson’s regeneration jumped to supernatural levels - on par with Alucard’s. He could regenerate his arm that his human regeneration could not heal, and could even restore his head which was completely blown off by the Jackal. Anderson was able to shrug off combined barrages from Alucard’s Jackal and Casull with little effort and healed the damage to his mangled arms quickly. Anderson’s tolerance for pain increased massively, as even after his heart was crushed and half of his body was ripped from him, he could still live on for a short while after. When Anderson regenerates, thorny vines tend to sprout around the damaged tissue. Anderson is an immortal at this stage, and the only way to kill him is to destroy his heart.
 * Holy Vine Manipulation: Anderson’s body becomes a humanoid composition of thorny plant-like vines, which he can manipulate. The thorns are most likely an allusion to the crown of thorns worn by Jesus Christ before his crucifixion. But this has never been confirmed by the author. These vines are particularly powerful, as they could stop the Jackal’s bullets with ease and wrap themselves around his foes, causing injury. Anderson can spread these vines around him and fire a massive swarm infused with bayonets at his opponent. He uses this as a final attack against Alucard and his remaining army of familiars, and it took considerable effort for Alucard to get through this. All of his familiars were ensnared and roasted to death by the vines’ flames, but this eventually allowed Alucard to get to Anderson and kill him. In the Hellsing Ultimate OVA, Anderson could use it as a weapon to rip apart Alucard’s shadows.
 * Seras Intervenes.jpgHoly Fire Summoning: The vines can ensnare the target and generate flames. This fire is particularly effective against supernatural creatures as powerful as Alucard and Seras, as it defeated Alucard’s regeneration abilities and ignited thousands of his familiars all throughout London. Anderson can infuse his bayonets with the vines to generate the flames. This let Anderson raze the London capital by creating wildfires bigger than city blocks. According to the author, if Sera's hadn't intervened to help Alucard while he was set ablaze by holy fire, it would have been enough to finally and truly kill him after destroying his familiars.

Holy Bayonets
His Bayonets are specialized, each of them being blessed and probably made of silver, making them highly dangerous to vampires. He wields them in close-combat like swords and often holds them between his fingers. He also throws the bayonets at his target, with stunning accuracy for a human. Some of the bayonets are shown to have hand guards in the manga and TV series. The type of bayonets he uses the most are similar to Austrian sword bayonets, with custom hand grips for easier slashing and stabbing.

They are shown deflecting Alucard's Casull gunshots, with only the Jackal shattering the bayonets.

Voice Actors

 * Japanese Dub: Norio Wakamoto
 * English Dub: Steven Brand
 * Italian Dub: Mario Zucca

Trivia

 * I11056-1-.jpg Volume 1 of the manga and OVA I, Walter says one of his nicknames is Angel Dust Anderson, a reference to one of Kouta Hirano's hentai works, Angel Dust, which featured an Anderson prototype. This was changed to Dust to Dust Anderson in the English dub because of the fact that "angel dust" is a popular term for PCP, a drug with hallucinogenic and neurotoxic effects that causes abusers to become a danger to both themselves and others.
 * Contrary with the commonly accepted romanization of Anderson's name, in Hellsing OVA 4, his name is written like the Japanese pronunciation ("Andersen") though this is likely a mistranslation by the Japanese.
 * Anderson's design may be based on Abraham Van Helsing's appearance from 1931 "Dracula" Universal film, as both their hair, glasses and facial expression look alike. Van_Helsing_1931.png
 * Alucard refers to Anderson as "Judas Priest" which is no doubt a reference to the Iscariot Organisation he works for.
 * Walter also mentions that he is called by other titles, such as Paladin, Executioner, and Exorcist and many others.
 * In the English dub of OVA 5, He is also nicknamed Saint Guillotine by Nazi vampires.
 * It is implied at times that Anderson's healing has kept him always young. In flashbacks, Anderson was shown to have raised Enrico Maxwell, Heinkel Wolfe and Yumiko Takagi as children (this makes sense as he is commonly shown to take care of orphans for the church), explaining the fatherly attitude he has towards them. Anderson appears physically the same in the flashbacks as he does in the present day, making it likely that if he received his regeneration after the events shown in the flashback that he his forever young. As Enrico Maxwell is around 30 in the present day and appeared as a young child in the flashbacks. This is backed up by the appearance of Heinkel in the final chapter; despite it being over 30 years since Millennium's attack, Heinkel is forever young. Furthermore, she still retains the bullet wound inflicted by the Captain, which further justifies the theory that the regenerator retains all prior wounds gained before the process (save for re-growing limbs, as Heinkel's previously severed arm and leg have been replaced, though they could be prosthetics).
 * Anderson has a seemingly limitless number of bayonets at his disposal; Kouta Hirano jokingly attributes this to him being four-dimensional. More or less Anderson is considered to have his own version of "Hammer-space", a common phenomenon in animation, in his coat.
 * Anderson, like many of Kouta Hirano's characters, was recycled from one of Hirano's old hentai works called Angel Dust, where he is involved in a few action sequences and is depicted with black hair, as well as using assault rifles rather than his bayonets.
 * In the OVA, Anderson's hatred of non-Catholics doesn't seem to be as severe as he implies. When actually witnessing murder he becomes angry regardless of the victim, such as the police killed by Alucard and the Vatican attack against England.
 * Alexander stabbing himself in the heart with the Nail of Helena adds a visual irony to his intent as it resembles a wooden stake through his heart, a commonly known method of killing vampires.
 * In the Manga and Anime, it is implied when Alexander and Alucard met in Barick it is their first meeting due to Alucard being surprised at his regenerative powers. However, Dracula (Level 0 Alucard) taunts Anderson in OVA 8 and claims that the two of them had fought both 500 and 100 years ago. It was a likely metaphor for Anderson being the third "Nemesis" of Alucard, the other two being The Sultan Mehmed and Dr. Van Helsing. However, his actual age and the source of his regeneration are unconfirmed.
 * Anderson's choice of weapon, his bayonets, are referencing the knife put on the end of a rifle, literally meaning Anderson is God's Gun.
 * Norio Wakamoto voicing Anderson's lines ("If anyone does not love the Lord, Jesus Christ, let him be accursed. Our Lord come. Amen.") in English is memetic for how poorly he had spoken them.